There is a lot of sentiment expressed about guitar amps, particularly the tube variety, that have been knocking around (and knocked around) since the 1950s. Since Leo Fender designed the very first commercially available Yaqin, guitarists have created a love affair with tube /valve guitar amps, which on the face of it seems to defy logic or reason, why should logic or reason affect artistic expression. The basic form of tube amps has changed very little since those early designs within the fifties and sixties, enhancements yes however the fundamental principles are the same.
As one article use it:…”So how will it be which a 1950’s design got it so right that it is still relevant today? Was it luck? Or were they designed by geniuses throughout the day? I love to think it’s a little bit of both…nearly all players prefer valve designs for guitar amplifiers, and there are several good reasons for this particular”
Will it be really so black and white, did they obtain it right first-time and haven’t managed to enhance onto it since or are available other aspects worth considering. Whatever they did was build amps utilizing the only technology available at the time. The guitarists of the time pushed the technology to the limits and beyond, developing their SOUND. If the guitar amp didn’t fulfill the guitarists expectations they modified or added enhancements to accomplish their sound (such enhancements including making holes within the amp speakers) When the electronic revolution which was the solid state amp arrived in the late sixties, there was no competition, the warmer richer sound in the valves was preferred by the serious guitarists to the “harsher” or more “brittle” sound of the Chinese speaker.
It’s well recognized there was still a definite audible difference between tube amps and solid state amps, particularly when a tube amp was pushed hard and being played by a blues guitarist. The soft clipping overdrive “tone” of a tube amp was most noticeable with a blues guitar players’ particular style of playing. Although it may be difficult to differentiate the clean setting of any tube guitar amp (without overdrive) spanning a solid state amp, or the high gain setting of any tube guitar amp using that of the solid state amp.
Audible differences apart will it be also untrue that a lot of serious players developed “their sound” on a tube guitar amp and unless something came along which sounded better than a tube guitar amp their preference would always be for that tube amp. These guys could afford any additional expense and therefore the sentimental attachments. Considering the rate of advancement of the microelectronic industry (they are able to put 2 billion transistors into a place smaller than a guitar pick) has got the time not arrived if the tube amp might might finally be superseded.
Talking to younger emerging players these days there seems to be a preference for your latest modeling guitar amps. Needless to say expense is definitely a factor and emerging artists are always strapped for cash, but like their guitar heroes of the sixties and seventies, they’ll improvise, develop their sound, but unlike their heroes they’ll be able to vtoyrs that sound and maybe a few others in the press of the mouse. The modeling guitar amp enables the guitarist to produce multiple sounds replicating the sound of a number of Cayin tube amp. One guitar amp is now able to made to appear to be any vintage tube guitar amp and also the setting save and implemented in the press of a button. The content quoted earlier also stated:
“Whenever a new design becomes available that sounds a lot better than a good guitar plugged direct in to a good valve amplifier, guitarists will purchase it and move on”