Reading science fiction tales enables individuals with poor grip in English to improve their grammar skills. Talking and writing in broken English is the end result of not knowing how the structure of the English paragraph work. Through routine reading, you will learn the correct way to write a correct English sentence. You will find sci-fi tales at different reading problem levels. You can start from the one with simple reading difficulty level that has shorter duration and then gradually advance to reading stories with tougher reading difficulty that have more duration.
As you browse the science fiction story, you will encounter words you don’t understand. Each time you locate a difficult term, you should look up the dictionary and discover out its significance. If you did not purchase a dictionary, you can use the online dictionary to look up the meaning of the word. You can discover how to pronounce the new word properly by playing the sound to your pronunciation in the internet dictionary. The more science fiction tales you see, the broader your vocabulary will become.
Well, that depends on the kind of story you are writing. The period of your narrative will dictate the amount of character information you’ll have to make them come to life. For simplicity sake, I’ve broken my personality sheet down into what I use for each kind of writing. Your character sheets might vary.
Fiction with its very definition is unreal. When we read a novel we know that the story and the characters in it are only a product of imagination of the author. When we view a film we know that the characters are only acting their parts basically pretending to be someone other than themselves. Still we’re emotionally affected by the twists and turns in the narrative. We laugh, weep with them, and even feel indignant towards the bad men. The adorable hero or heroine might be despicable in actual life and the protagonist may be a perfect gentleman, but we identify them using the characters they’re portraying. In essence for that brief period we ourselves get transported into the imaginary world of the writer. Oddly enough this happens also with the writer at least to some of these. He or she goes through the same emotions while writing and perhaps later also. Well, just what do you feel about that so far? There is a great deal in the body of knowledge surrounding why not try these out. A lot of men and women have found certain other areas are helpful and contribute good information. You should take care about making too many presumptions until the big picture is more clear. Do you know precisely the kind of information that will help? If not, then you should learn more about this. We will tie all together plus give you a hint of other important information.
“Knowledge is limited, imagination is not.” Albert Einstein explained that although the wording of the second part might have been different. Einstein like any other human being wasn’t infallible. A number of his views that he held right until the end turned out to be incorrect even within the subject of physics. In this particular announcement he also appears to have it backwards. Knowledge might be limited in the case of someone but generally it’s infinite even when we consider just rational understanding leaving apart transcendental. Science in particular has shown this at every step in the course of its own development. Imagination pertains to a single mind and is constrained by numerous factors based on the situation of the individual. A mind can envision only what happens in some way to things already stored inside. A person who has never been outside a remote location in jungle and has no contact with the world outside cannot imagine what metropolitan cities would be like.
Getting back to fiction that the creativity of the author also must be predicated on his direct or indirect encounters. In this sense fiction relies on fact and to this extent it represents just another dimension of reality. Here of course we run into the philosophical difficulty of the exact significance of reality. There are two diametrically opposite viewpoints – materialistic and spiritualistic. According to the former only things that can be perceived through our perceptions are real, everything else is unreal. The latter asserts that there’s just one ultimate reality from which we perceive comes out and everything that is perceived is simply an illusion. We again look at a statement by Einstein: “Reality is merely an illusion, albeit a persistent one.” He was clearly referring to the reality of the phenomenal world. The term illusion can have different connotations but generally it means perceiving something rather different from what it is. Therefore the existence of the thing is a prerequisite for illusion, it is not a mental construction. Imagination is purely a mental phenomenon and has nothing to do with whatever really existing. Therefore the relationship between fiction and reality is completely different from that between reality and illusion. It does take some time to write a complete story for any kind of book.
At a philosophical sense the phenomenal world itself could be considered fiction. That is what Shakespeare possibly meant when he wrote: “All the world’s a stage, and all men and women merely players”. We may also consider everything in the universe (space, time, issue) as gamers because everything has its entrance and exit. We of course run into the issue of stating what the stage is and who wrote the script. Shakespeare most likely believed in God, strict determinism, and in the reality of earth, so he did not have this issue. Now it is generally believed that the universe also has a beginning and will have an end. If the universe is also a player, are there multiple universes or does this come exclusively on the platform then presents other players? But what is the stage in this case? Quantum physics points to one possibility. At extremely tiny scales of space and time there’s a quantum void that is not really empty but filled with energy that is constantly transforming itself into virtual particles as well as back. What remains after the end of the world may be an infinite version of the quantum void filled with energy into which all the thing has transformed itself. This universal energy is the origin of and background for everything.
It is not merely a philosophical point. We invest a substantial part of our own life in the fictional world. We muse about the items in long run and also dwell over the past imagining what could have been. The creativity about the future is based on our hopes and aspirations and also to some extent it’s a positive in the sense that we’re in a position to mould our future when we sincerely try. But musing over the past is a futile exercise since we all know for a fact that ‘what might have been’ is only fantasy that never happened. Still it serves the same function as fiction from the perspective of amusement. We entertain ourselves by imagining how life could have been, knowing fully well that it has no fact whatsoever. In a metaphorical sense ago, at the distant past, is fiction. At a certain sense history itself is fiction as it invariably contains the subjective bias of the author. What we know of Buddha and Jesus today is much more fiction than facts.